The print of Cinnamon immediately grabs the eye with the almost musical use that you invested in it with your selection of colour and how the colours liquidly bleed together, much as notes used by a musician [in a solo] to effect a 'disguise' of it's singularity or note for note effect so that the ear hears only the mass of the sound; in your case the eye seeing only the mass of the colour. It is a beautiful work.
— Bill Dixon, Boston, October 2004
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